Waldart — Natural Forms for Modern Walls

Lake Wenatchee · Washington — Lake Wenatchee · WashingtonU.S. Forest Service- Pacific Northwest Region · Public domain · Image source

One family. One shared world.

Shoreline follows the meeting of two territories. Small rounded forms collect along the transition, making the boundary feel inhabited rather than drawn with a ruler.

All design families ↗

Barnard 33 · Euclid — Barnard 33 · EuclidESA/Euclid/Euclid Consortium/NASA image processing by J.-C. Cuillandre (CEA Paris-Saclay) G. Anselmi · CC BY-SA 3.0 igo · Image source

Shoreline I

Shoreline I in a room

4 sizes · 30×20–140×100 cm

04 / Field notes

Where the compositions begin.

Every Waldart palette starts outdoors: which greens sit next to each other, where light catches, how much empty space a surface needs. The first two images are nature studies for this design family; the others are photographs from our walks. The panels themselves are made from preserved moss.

A ragged strip of moss and grass along the edge of a forest pond — 01 / Waterline
At a forest pond, moss and grass grow in a ragged strip exactly where water meets ground: wider here, missing there. Shoreline lives at the same boundary.

A common frog half in the water at a mossy pond edge — 02 / Half in, half out
A common frog sits at the moss edge, half in the water, half on land. The boundary is where it is most at home.

Close-up of moss on bark with bright green tips — 03 / Light
Only the tips catch the light. That is why the brightest green appears sparingly, as an accent rather than a surface.

Moss spreading across grey limestone, a single leaf above — 04 / Edges
Moss never stops in a straight line. Colour fields fray into each other, and we let them.

A woodland stream running between mossy stones and fallen leaves — 05 / Intervals
Water makes the spaces between stones visible. Empty space is part of the composition, not what is left over.

01–02: nature studies for this design family. 03–05: photographs from our walks, October 2026.