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Handcrafted to order in Austria
The piece
A tranquil whisper of nature in untouched ivory.
In every Tundra Ivory Circle, the untouched essence of Iceland moss reveals itself in its natural ivory hue. It’s the quietest piece we offer, capturing a sense of serene wilderness. Each circle invites a moment of calm introspection, a soft touch of nature’s own artistry, inviting light to play softly across its gentle textures. The simplicity of the design and the natural color create a peaceful rhythm, resonating with unembellished elegance.
Handcrafted to order in our Graz atelier, the Tundra Ivory Circle is made entirely from preserved islandmoos-elfenbein, captured in its natural, undyed state. This carefully arranged moss is elegantly framed in your choice of Black or Dark Wood, and is available in three distinct sizes: ⌀ 40 cm, ⌀ 60 cm, ⌀ 80 cm.
No water, no light, no maintenance required. Ensure it is kept out of direct sunlight and away from sustained high humidity.
The natural softness of the moss quiets the room, offering a gentle reduction in echo and creating a space filled with tranquility.
Good to know
Yes, the Tundra Ivory Circle uses real preserved Iceland moss.
No, it requires no water, light, or maintenance.
No, it's best to keep it away from direct sunlight and sustained high humidity.
You can choose between a Black or Dark Wood frame.
From a box of moss to a piece on your wall — every step happens by hand in our workshop near Graz. Images illustrate the materials and process.
WALDART / Design families
Colour becomes the landscape.
Explore the familyOne family. One shared world.
Tundra lets one continuous texture carry the composition. Without a drawn motif, small surface variations and the chosen colour take the lead; each colourway offers a different atmosphere.
All design families ↗
Sagittarius · Hubble
Tundra series
Siblings from the same palette and hand — made to hang together as a pair or set.
View the whole Tundra series →04 / Field notes
Every Waldart palette starts outdoors: which greens sit next to each other, where light catches, how much empty space a surface needs. The first two images are nature studies for this design family; the others are photographs from our walks. The panels themselves are made from preserved moss.
Reindeer lichen and heather at the forest edge, lightly frosted. No single shape stands out; colour and fine texture are the whole landscape. Tundra works the same way, without a drawn motif.
Close up, the lichen is grey, green and white at once, and a late bumblebee rests in the heather. Tundra keeps these small differences inside one colour.
Only the tips catch the light. That is why the brightest green appears sparingly, as an accent rather than a surface.
Moss never stops in a straight line. Colour fields fray into each other, and we let them.
Water makes the spaces between stones visible. Empty space is part of the composition, not what is left over.
01–02: nature studies for this design family. 03–05: photographs from our walks, October 2026.
