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Tundra Ivory

179 €

Handcrafted to order in Austria

  • Real preserved moss and lichen
  • No water, no light, no care
  • Natural texture, arranged by hand
  • 30 × 20 cm
  • 60 × 40 cm
  • 80 × 60 cm
  • 140 × 100 cm
5-year guarantee
14-day returns
Free shipping over 150 €
Handcrafted in Austria
Production: approx. 10 business days. Delivery follows. Delivery details →

The piece

A whisper of the earth, untouched by artifice.

Tundra Ivory is a testament to nature's quiet grace, capturing the soft glow of untouched Iceland moss in its purest form. This design offers a moment of serene contemplation, inviting you to pause and appreciate the subtle beauty of natural ivory hues. Each piece, unique by virtue of its making, is softly framed to focus solely on the moss's inherent elegance. It's as if nature herself took the brush, composing an artwork that transcends time and trend.

Good to know

Is it real moss?

Yes, it's real preserved Iceland moss in its natural ivory color.

Do I need to water it?

No, the moss is preserved and requires no watering or care.

How should I care for it?

Avoid direct sunlight and high humidity to maintain its condition.

Will it retain its color?

Yes, the preserved moss will keep its natural color for years without fading.

Made with

How it's made

From a box of moss to a piece on your wall — every step happens by hand in our workshop near Graz. Images illustrate the materials and process.

Sorting preserved moss by hand
Selection — every tuft chosen by hand
A preserved lichen tuft held by hand
Setting — moss placed piece by piece
A black frame corner and backing board
Framing — black or dark wood, fitted by hand
A carton and corner protection prepared for packing
Packing — corner-protected, with a care card
Lichen

WALDART / Design families

Tundra

Colour becomes the landscape.

Explore the family
LichenWestern Arctic National Parklands · CC BY 2.0 · Image source

One family. One shared world.

Tundra lets one continuous texture carry the composition. Without a drawn motif, small surface variations and the chosen colour take the lead; each colourway offers a different atmosphere.

All design families ↗
Sagittarius · Hubble
02 / In the universe

Sagittarius · Hubble

Sagittarius · HubbleNASA , ESA , K. Sahu ( STScI ) and the SWEEPS science team · Public domain · Image source

04 / Field notes

Where the compositions begin.

Every Waldart palette starts outdoors: which greens sit next to each other, where light catches, how much empty space a surface needs. The first two images are nature studies for this design family; the others are photographs from our walks. The panels themselves are made from preserved moss.

A carpet of pale reindeer lichen and heather with light hoarfrost at the forest edge
01 / Surface

Reindeer lichen and heather at the forest edge, lightly frosted. No single shape stands out; colour and fine texture are the whole landscape. Tundra works the same way, without a drawn motif.

Frosted reindeer lichen branches with a bumblebee resting on a heather sprig
02 / Nuance

Close up, the lichen is grey, green and white at once, and a late bumblebee rests in the heather. Tundra keeps these small differences inside one colour.

Close-up of moss on bark with bright green tips
03 / Light

Only the tips catch the light. That is why the brightest green appears sparingly, as an accent rather than a surface.

Moss spreading across grey limestone, a single leaf above
04 / Edges

Moss never stops in a straight line. Colour fields fray into each other, and we let them.

A woodland stream running between mossy stones and fallen leaves
05 / Intervals

Water makes the spaces between stones visible. Empty space is part of the composition, not what is left over.

01–02: nature studies for this design family. 03–05: photographs from our walks, October 2026.