Waldart — Natural Forms for Modern Walls

Lichen — LichenWestern Arctic National Parklands · CC BY 2.0 · Image source

One family. One shared world.

Tundra lets one continuous texture carry the composition. Without a drawn motif, small surface variations and the chosen colour take the lead; each colourway offers a different atmosphere.

All design families ↗

Sagittarius · Hubble — Sagittarius · HubbleNASA , ESA , K. Sahu ( STScI ) and the SWEEPS science team · Public domain · Image source

Tundra Bordeaux

Tundra Bordeaux in a room

4 sizes · 30×20–140×100 cm

Tundra Bordeaux Circle

Tundra Bordeaux Circle in a room

3 sizes · ⌀ 40–80 cm

Tundra Cobalt

Tundra Cobalt in a room

4 sizes · 30×20–140×100 cm

Tundra Cobalt Circle

Tundra Cobalt Circle in a room

3 sizes · ⌀ 40–80 cm

Tundra Ivory

Tundra Ivory in a room

4 sizes · 30×20–140×100 cm

Tundra Ivory Circle

Tundra Ivory Circle in a room

3 sizes · ⌀ 40–80 cm

Tundra Spring

Tundra Spring in a room

4 sizes · 30×20–140×100 cm

Tundra Spring Circle

Tundra Spring Circle in a room

3 sizes · ⌀ 40–80 cm

04 / Field notes

Where the compositions begin.

Every Waldart palette starts outdoors: which greens sit next to each other, where light catches, how much empty space a surface needs. The first two images are nature studies for this design family; the others are photographs from our walks. The panels themselves are made from preserved moss.

A carpet of pale reindeer lichen and heather with light hoarfrost at the forest edge — 01 / Surface
Reindeer lichen and heather at the forest edge, lightly frosted. No single shape stands out; colour and fine texture are the whole landscape. Tundra works the same way, without a drawn motif.

Frosted reindeer lichen branches with a bumblebee resting on a heather sprig — 02 / Nuance
Close up, the lichen is grey, green and white at once, and a late bumblebee rests in the heather. Tundra keeps these small differences inside one colour.

Close-up of moss on bark with bright green tips — 03 / Light
Only the tips catch the light. That is why the brightest green appears sparingly, as an accent rather than a surface.

Moss spreading across grey limestone, a single leaf above — 04 / Edges
Moss never stops in a straight line. Colour fields fray into each other, and we let them.

A woodland stream running between mossy stones and fallen leaves — 05 / Intervals
Water makes the spaces between stones visible. Empty space is part of the composition, not what is left over.

01–02: nature studies for this design family. 03–05: photographs from our walks, October 2026.